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6w.enc
4.79
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7t.enc
2.75
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8a.enc
2.3
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8r.enc
4.74
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ad.enc
2.55
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ansinew.enc
4.22
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asex.enc
5.63
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asexp.enc
3.7
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cork.enc
3.78
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dc.enc
3.32
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dvips.enc
3.58
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ec.enc
3.3
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extex.enc
3.29
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funky.enc
4.74
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odvips.enc
3.09
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qx.enc
1.98
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stormex.enc
2.35
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tex256.enc
4.58
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texmext.enc
3.74
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texmital.enc
2.51
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texmsym.enc
3.04
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texnansi.enc
6.78
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texnansx.enc
4.69
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xl2.enc
4.71
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xt2.enc
4.35
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Code Editor : asex.enc
% This is ASEX encoding. (file ASEX.enc) % % Adobe Standard Encoding Extended. % % Creator: Pierre A. MacKay mackay@cs.washington.edu % Creation Date: Thu Aug 31 08:56:22 PDT 1993 % % This is an input coding file for creation of a "raw font". % It can, for esample be used with Radical Eye Software's % afm2tfm. Use with the -p flag. This same encoding can also be % used with ps2pk to create a complete set of bitmapped % simplex characters. % % The {\em sole} purpose of this file is to ensure that all {\em simplex} % characters in the font are made available in the raw TFM. Therefore % there are no ligatures or any other refinements. The raw TFM % file contains no ligatures or kernings---nothing but character % metrics. We retain Adobe Standard encoding for all mapped % characters in the AFM file, and extend the list by adding % the unmapped simple characters into the empty code positions % from O 200 to O 240. It is assumed that the output coding used % for the TeX tfm will be different from this ( -t flag in afm2tfm ). % % The extended part of this encoding is consistent with the general % run of text fonts from Adobe, BitStream, DTC, Linotype, Monotype, % URW and probably others as well. For SuperFont characters, see below. % In a library of over 300 text fonts, I have found no variants. The only % variant in display fonts is the occasional absence of lowercase. % % Jan Michael Rynnings has pointed out that a few very carefully designed % fonts, e. g. Adobe Garamond and Adobe Caslon, may treat all the accented % characters as simplex glyphs (must make for a large pfa file), and that % this input encoding would not recognize such refinements. True---but % such fonts will be a tiny minority, and can be dealt with by % special encoding files. A couple of tests indicate that it makes % no perceptible difference whether you use composites formed from % the CC recipes in the AFM file or call the characters out directly % from the PFA file. There seems no reason, therefore, to fill the % raw font with characters that are clearly identified as composites % in the AFM file. % % Usage: % afm2tfm <FontName>.afm -p ASEX.enc -t <output>.enc -v <vplname> <rawname> % /ASEXEncoding [ % now 256 chars follow % % The following will replace the characters from 0 to 32 in the raw encoding % if you have access to a SuperFont. There is reason to hope that this % set will be as stable as the unmapped set in current text fonts % If you don't have a SuperFont, and have to create any of these as a % composite, precede the name with a dot, as is done here for % Scedilla and scedilla. The change in name keeps afm2tfm from thinking % that the character already exists when it comes to evaluate the output % (-t flag) encoding. % % 0x00 /Aogonek /Eogonek /Iogonek /Kafii9170 /Lafii9170 /Lcaron /Nafii9170 /Rafii9170 /Safii9170 /.Scedilla /Tafii9170 /Uogonek /.notdef /.notdef /.notdef /.notdef % 0x10 /aogonek /eogonek /iogonek /kafii9170 /lafii9170 /lcaron /nafii9170 /rafii9170 /safii9170 /.scedilla /tafii9170 /uogonek /.notdef /.notdef /.notdef /.notdef % 0x20 % Keep the space, for use as \boundarychar (Give it zero width in vpl) /space /exclam /quotedbl /numbersign /dollar /percent /ampersand /quoteright /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash % 0x30 /zero /one /two /three /four /five /six /seven /eight /nine /colon /semicolon /less /equal /greater /question % 0x40 /at /A /B /C /D /E /F /G /H /I /J /K /L /M /N /O % 0x50 /P /Q /R /S /T /U /V /W /X /Y /Z /bracketleft /backslash /bracketright /asciicircum /underscore % 0x60 /quoteleft /a /b /c /d /e /f /g /h /i /j /k /l /m /n /o % 0x70 /p /q /r /s /t /u /v /w /x /y /z /braceleft /bar /braceright /asciitilde /.notdef % % This is the Extension to Adobe Standard Encoding % % In as many of the next 32 positions as necessary, include % all the unmapped simple (non-composite) characters. The % inclusion of Ccedilla and ccedilla is problematic. These are % composites in some schemes, simple in others. Best to % assume they are simplex. Characters are entered in alphabetical order % by name. If you need to create your own composite for Ccedilla % ccedilla or Eth, precede the name with a dot as indicated above. % % 0x80 /Ccedilla /Eth /Thorn /brokenbar /ccedilla /copyright /degree /divide /eth /logicalnot /minus /mu /multiply /onehalf /onequarter /onesuperior % 0x90 /plusminus /registered /thorn /threequarters /threesuperior /trademark /twosuperior /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef % % From here on the order is again Adobe Standard Encoding % % 0xA0 /.notdef /exclamdown /cent /sterling /fraction /yen /florin /section /currency /quotesingle /quotedblleft /guillemotleft /guilsinglleft /guilsinglright /fi /fl % 0xB0 /.notdef /endash /dagger /daggerdbl /periodcentered /.notdef /paragraph /bullet /quotesinglbase /quotedblbase /quotedblright /guillemotright /ellipsis /perthousand /.notdef /questiondown % 0xC0 /.notdef /grave /acute /circumflex /tilde /macron /breve /dotaccent /dieresis /.notdef /ring /cedilla /.notdef /hungarumlaut /ogonek /caron % 0xD0 /emdash /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef % 0xE0 /.notdef /AE /.notdef /ordfeminine /.notdef /.notdef /.notdef /.notdef /Lslash /Oslash /OE /ordmasculine /.notdef /.notdef /.notdef /.notdef % 0xF0 /.notdef /ae /.notdef /.notdef /.notdef /dotlessi /.notdef /.notdef /lslash /oslash /oe /germandbls /.notdef /.notdef /.notdef /.notdef ] def
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